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Vin Diesel blew it. Actually, it was probably more his agent's fault.
I thought that he did a great job in Boiler Room and I liked Pitch Black. Then Fast and the Furious makes $150 million and Vin's on the fast track to the A-list and 10 million per movie.
Look at the films that he has done since then (in backward order from IMDB.com):
# Hitman (2007) (announced) .... Agent 47
# Rockfish (2007) (announced) (voice)
# Hannibal (2006) (announced) .... Hannibal Barca
# Find Me Guilty (2005) (post-production) .... Giacomo 'Fat Jack' DiNorscio
# The Pacifier (2005) .... Shane Wolfe
# The Chronicles of Riddick (2004) .... Riddick
# A Man Apart (2003) .... Sean Vetter
# xXx (2002) .... Xander Cage
The Chronicles of Riddick is where the wheels fell off. I don't know what retard executive green lighted a $100+ million budget, including 11 mill for Vin, for a sequel to a movie that only made 40 million bucks. That shitbomb made less than $60 million at the box office.
I clicked on the writer/director of both Pitch Black and Chronicles of Riddick. Look at how he spent the mid-90s:
# G.I. Jane (1997) (screenplay)
# The Arrival (1996) (written by)
# Waterworld (1995) (written by)
# Terminal Velocity (1994) (written by)
Every one a huge bomb. Those four movies basically ended the movie careers of Charlie Sheen, Kevin Costner, and Demi Moore. That's impressive.
One of the trivia entries for Fast and the Furious notes that the film has almost the exact same plot as Point Break, substituting street racing for surfing.
I also saw that The Pacifier was written by Thomas Lennon and Ben Garant, aka Dangle and Junior from Reno 911. They apparently wrote the movies Taxi and Herbie: Fully Loaded too. I'm always glad to see guys from The State making money. If you're a big fan of Reno 911, try to track down the VHS tape of The State: Skits and Stickers. It's top notch sketch comedy and you can see those two guys and Kerri Kenney (Wiegel) and Michael Ian Black from more than 10 years ago.
-B
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